Language: English and Filipino
A physical monodrama that places the terrifying aswang folklore in present-day Philippines.
Aswang is a one-woman show about the most feared creature in Philippine folklore. It utilises the power of myth and folklore to name the true monsters in our midst – the invisible monsters that plague the country today.
An adaptation of Rody Vera’s Palanca Award-winning Ang Unang Aswang, the production features Mayen Estanero from the Cultural Centre of the Philippines in a tour de force performance portraying five characters – most of which are supernatural.
Content Warnings: Violence, Sexual violence, Violence against children, blood/gore, haze
Adaptation and Direction: Ricardo Magno
Performer: Mayen Estanero
Dramaturgy: Enya Daly
Production Design: Atulya Mohan
Additional Design: Kiki Ando
Lighting Design: Gabriel Bethune
Sounds Design: Miles Cosmo Phillip
Creative Consultant: Zachary Dunbar
Co-Produced by Divergent Theatre Collective
Image by Darren Gill
Isang pisikal na monodrama tampok ang nakakikilabot na kwento ng aswang sa kasalukuyang Pilipinas.
Ang Aswang ay isang palabas patungkol sa pinakakinatatakutang halimaw mula sa mga kwentong-bayan sa Pilipinas. Ginagamit ng produksyon ang alamat at kwentong-bayan upang mabigyang-ngalan ang mga tunay na halimaw sa pumapalibot sa atin – ang mga ‘di-lantad na halimaw sa lipunan.
Ito ay adaptasyon ng Ang Unang Aswang ni Rody Vera, na nagwagi ng Palanca Award, at itinatampok si Mayen Estanero ng Sentrong Pangkultura ng Pilipinas sa kanyang katangi-tanging pagganap ng limang tauhan – kabilang ang mga kakaibang nilalang.
Adaptasyon and Direksyon: Ricardo Magno
Tagaganap: Mayen Estanero
Dramaturhiya: Enya Daly
Disenyo ng Produksyon: Atulya Mohan
Katuwang sa Disenyo: Kiki Ando
Disenyo ng Ilaw: Gabriel Bethune
Disenyo ng Tunog: Miles Cosmo Phillip
Katuwang sa Paglikha: Zachary Dunbar
Katuwang na Prodyuser: Divergent Theatre Collective
Kuha ni Darren Gill
Access Information:
Visual rating 50%: Events are partly subtitled or include dialogue, background music and/or sounds, so d/Deaf and hard of hearing audiences can have some engagement with the event.
Aural Rating 50%: Has both sound and visual components, but sight isn’t essential to be able to engage with the event.